Embedded in the work is a critical dialogue on the nature of how we use media and technology and how it impacts the way we see and are seen. Our website uses cookies to improve your user experience. With Bloom, Trevor Paglen collapses distinctions between the real and virtual, laying bare the prejudices embedded in supposedly objective artificial intelligence systems.Paglen has made a career of visualizing the invisible power structures and systems which govern contemporary society. From close-ups of individual artworks at unexpected angles to wide frames of the room that allow online participants to watch visitors seeing the work in person, the view of the exhibition via webcam offers an uncanny experience between observation and surveillance. Octopus, meanwhile, is an all-encompassing work allowing visitors to engage with the show through an online portal. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). Mourning, sadness, and fragility underlie Trevor Paglen’s exhibition Bloom, on show at Pace Gallery, London, until 10 November 2020. Trevor Paglen Accompanying the Bloom works is a large-scale reconstruction of a "standard head" - a mathematical model developed by CIA agent Woody Bledsoe in the 1960s. Trevor Paglen. Trevor Paglen: Bloom (#9b746d), 2020, dye sublimation print, 40½ by 54 inches. Trevor Paglen: Bloom (#9b746d) , 2020, dye sublimation print, 40½ by 54 inches. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 - November 10, 2020 - Contemporary art with installation views Trevor Paglen: Bloom +44 20 3206 7600 Open: temporary closure Filter. Bloom (#a5808a), 2020. Hear Trevor Paglen discuss his latest body of work in this new talk . Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Trevor Paglen NSA Surveillance Base, Egelsbach, Germany, 2015 C-print 91.4 x 139.7 cm Metro Pictures Contact Gallery. If you continue browsing, we assume that you consent to our use of cookies. The world has become too complex and too fragmented for any human to fully comprehend it. Together, the works in the exhibition recall the “Vanitas” tradition in art, in which symbolic objects such as skulls, flowers, and books remind us of mortality, the fragility of life, and the vanity of worldly pleasures. Trevor Paglen (born 1974) is an American artist, geographer, and author whose work tackles mass surveillance and data collection. Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. An artist and author of numerous books and articles, Trevor Paglen uses special equipment to photograph sites of secret government activity, or “black sites,” including the Tonopah Test … Trevor Paglen is known for investigating the invisible through the visible, with a wide-reaching approach that spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Courtesy Trevor Paglen and Pace Gallery. Marc Glimcher, President and CEO of Pace Gallery, today announced plans to expand the business’s presence in London with a new 8,600-sq-ft location at 4 Hanover Square. Paglen’s complex and pioneering work examines the systems and technologies that shape society. Mark Westall is the Founder and Editor of FAD magazineFounder and co-publisher Art of Conversation and founder of the platform @worldoffad, Obvious and RAWS have collaborated on a new artwork Parietal Burner #1 using cave paintings from Lascaux: The artwork is […]. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom is being presented from 10 September to 10 November 2020 and explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Uldalen, BREAKING An installation online by Richard Ducker & Robert Good. In contrast to the vanitas paintings of the 15th and 16th century, Paglen plays with these symbolic tropes, bringing them into the present day and addressing new measures of mortality in the digital era such as Zoom, AI, policing, and even such threats as COVID-19. Another component of the exhibition is an interactive live-stream titled Octopus, allowing anyone with a webcam to see the exhibition space from different camera angles and, at the same time, broadcast themselves to monitors in the gallery.In a video-conference panel in late October hosted by the gallery, Paglen said about this piece: "I was thinking about Zoom calls and … Bloom. Computing systems that collect, interpret and operationalize data that defines and tracks identity, movement, and habits fuel the artist’s broad practice. The exhibition follows Paglen’s installation From ‘Apple’ to ‘Anomaly’, presented at the Barbican Curve from September 2019 to February 2020, and Training Humans, an exhibition of Paglen’s works with Kate Crawford presented at the Prada Foundation, Milan from September 2019 to February 2020. Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). Centre-stage is The Standard Head, a large-scale reconstruction of 1960s pioneer CIA agent Woody Bledsoe’s mathematical model of a “standard head”, which Paglen has re-constructed from information in Bledsoe’s archive at the University of Texas. Photograph: Paglen Studio/Trevor Paglen, courtesy the artist and Pace Gallery But he is just showing the truth. En Liang Khong Features 10 September 2020 ArtReview. Trevor Paglen (b. The sprays of blossoms are tinted different colors in variegated sections, a slightly nauseating spectrum of reds, yellows, blues, and purples. Trevor Paglen Accompanying the Bloom works is a large-scale reconstruction of a "standard head" - a mathematical model developed by CIA agent Woody Bledsoe in the 1960s. These simple truths resonate through Trevor Paglen’s works. Sort: Trevor Paglen. Artificial intelligence algorithms are designed and trained to look for faces, unique key points, lines, circles, and areas of interest as they attempt to deconstruct the underlying reality into a more simplified series of sections or shapes. Called ImageNet, the dataset is used to teach artificial intelligence systems how to classify images, and was developed at Princeton and Stanford Universities in 2009. At 6 Burlington Gardens until 10th November, and on the gallery’s digital platform, Trevor Paglen: Bloom Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). Trevor Paglen, Bloom (#79655d), 2020, dye sublimation print, 66 cm × 49.5 cm (26" × 19-1/2"); 68 cm × 51.4 cm × 3.8 cm (26-3/4" × 20-1/4" × 1-1/2"), framed, Edition of 5 + 2 APs © Trevor Paglen Artist Sammy Baloji on Colonial Legacies, New Stories and … In this new reality, the digital and the virtual make it possible to continue to keep business moving, to socialize, and to participate. Share; Tweet; Advertisement. Trevor Paglen, Bloom, runs at Pace Gallery, London, from 10 September to 10 November 2020. “Computer vision and artificial intelligence have become ubiquitous,” says Paglen. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed … Not all of Bledsoe's work has been uncovered, so the remaining head data - as it were - has been filled in by AI software. This is Pace’s second exhibition with the artist. Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. Trevor Paglen begins to unravel these complexities by making the invisible visible through art. Pace Gallery. As a multidisciplinary grant-maker, the Center invests in cultural projects and practitioners, on a mission to enhance public life in the Greater Philadelphia area. Trevor Paglen Bloom Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Paglen's complex and pioneering work examines the systems and technologies that shape society. Employing a variety of disciplines throughout his oeuvre, from investigative journalism to scientific research, the exhibition will feature new sculptures, photographs, drawings, and digital components that relate to corporate and state use of machine learning algorithms to monitor, extract value, and influence people’s lives. Trevor Paglen, Bloom (#7a5a4e), 2020, dye sublimation print, 175.3 cm × 233.7 cm (69″ × 92″) © Trevor Paglen, courtesy the artist. But after Covid-19 remade the world, the show had to change. Trevor Paglen's complex and pioneering work examines the systems and technologies that shape society. ImageNet Roulette is an interactive artwork that classifies people’s digitally-captured portraits according to one of the most widely-used datasets used for training and evaluating computer vision systems. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment.A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. Trevor Paglen The Disasters, 2020 pigment print 147.3 cm × 147.3 cm (58″ × 58″) © Trevor Paglen, courtesy the artist and Pace Gallery. Trevor Paglen Bloom (#a8866d), 2020 Dye sublimation print 137.2 x 102.9 cm Pace Gallery. Held both at 6 Burlington Gardens and online at pacegallery.com, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. In this new work, I am interested in exploring the numerous examples of computer training sets creating AIs that reflect and perpetuate unacknowledged forms of racism, patriarchy, and class division that charac-terise so much of society.”. Octopus provides virtual access to new art experiences, while also commenting on the issues of access, consent, and surveillance that are profoundly impacting this new hyper-mediated reality. Related articles. Bloom Trevor Paglen / Bloom 10.09.20 - 04.11.20. Conceived from the average measurements of the faces Bledsoe experimented with, Paglen reconstructed the “standard head” from rare information left behind in Bledsoe’s archives at the University of Texas. They do not represent real-to-life colours so much as what the AI thinks the different parts of the images are. Bloom (#5f5554), 2020. A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. By Mark Westall • 7 September 2020Share —. The works in this exhibition seek to provide a small glimpse into the workings of platforms that track faces, nature, and human behaviour, and into the underlying data that structures how machines ‘perceive’ humans and landscapes. CALL OUT FOR ARTISTS Sculptors in the north wanted for The Liverpool Plinth. Our website uses cookies to improve your user experience. Four current shows are evidence. Trevor Paglen, Octopus (2020), via Pace Taking over the Pace Gallery space at 6 Burlington Gardens in London, artist Trevor Paglen opens a show that seeks to find a shared physical and digital space, mining the artist’s long engagement with technology and aesthetics to present a set of new works that explore the society-shaping power of computing, and the massive troves of … In this new work, I am interested in exploring the numerous examples of computer training sets creating AIs that reflect and perpetuate unacknowledged forms of racism, patriarchy, and class division that characterise so much of society.”. Art news, exhibitions, competitions and lots more every day, Join the FAD newsletter and get the latest news and articles straight to your inbox, deeds to a château in France (Coming 2021), Obvious and RAWS team up to create a new contemporary reinterpretation of parietal art, Pace Gallery to open new 8,600-sq-ft gallery space in central London, Watch Patti Smith Celebrate Biden inauguration with free virtual performance on FAD magazine, The Top 5 Online Exhibitions to see in January. Trevor Paglen's complex and pioneering work examines the systems and technologies that shape society. Trevor Paglen In this special interview, Monocle’s Augustin Macellari talks to artist Trevor Paglen about his new London exhibition, ‘Bloom’, and reflects on how technology’s complicated systems are shaping our lives. … A critical dialogue on the nature of how we use media, technology and how it impacts the way we see and are seen, visitors are given the option to stream their personal webcams into the gallery space on monitors. Contact the gallery for current visiting protocol. When a member of the public’s image is captured by a camera and simultaneously projected on the gallery video monitor, the AI model categorises them according to the dataset. The sprays of blossoms are tinted different colors in variegated sections, a slightly nauseating spectrum of reds, yellows, blues, and purples. works explore Paglen’s central themes of artificial intelligence, the politics of images, fa-cial recognition technologies, and alternative futures. The clandestine and the hidden are revealed in series such as The Black Sites, The Other Night Sky, and Limit Telephotography in which the limits of vision are explored through the histories of landscape photography, abstraction, Romanticism, and technology. 1974) is an American artist examining the systems and technologies that shape our world. From a distance, these works give the appearances of subtle lines of colour fields reminiscent of Agnes Martin’s abstract paintings. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. 1974, Camp Springs, MD) is known for investigating the invisible through the visible, with a wide-reaching approach that spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. If you continue browsing, we assume that you consent to our use of cookies. 16.00 BST (on Zoom). In his new body of work, Bloom, themes of surveillance, observation and imperfect algorithms are explored within the context of mourning and the fragility of life. Trevor Paglen: Bloom, September 10, 2020 - November 10, 2020 at Pace Gallery, London, United Kingdom September 10 – November 10, 2020. Trevor Paglen: Bloom. Thank you, your email has been added to the list. Trevor Paglen’s complex and pioneering work examines the systems and technologies that shape society. New sculptures, drawings and digital components relate to corporate and state use of machine learning algorithms to monitor, extract value, and influence people’s lives. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Distracted Drivers and Classifications of Gait showcase grids composed of thousands of smaller images used to evaluate people’s behaviours for commercial purposes. Artist Trevor Paglen discusses why AI image datasets are problematic, and why he’s turning the lens on the public in Bloom, his new show at Pace, London. – Trevor Paglen, June 2020. Trevor Paglen AC, 2020 pigment on textile 45.7 cm × 45.7 cm (18″ × 18″) © Trevor Paglen, courtesy the artist and Pace Gallery, “Computer vision and artificial intelligence have become ubiquitous. He has participated in group exhibitions at the San Francisco Museum of Modern Art (2008, 2010, 2018); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); The Metropolitan Museum of Art, New York (2012); Tate Modern, London (2010), and numerous other institutions. Dialoguing with The Standard Head is The Model (Personality), a plated bronze phrenology skull derived from the current categories that are used in predictive policing and sentencing algorithms that intend to gauge someone’s level of criminality by measuring their psychological attributes and behaviours. Trevor Paglen (b. Airlines and Sentiments and The Disasters feature lines of texts culled from datasets that AI developers employ to teach computer systems to analyse and emotionally interpret the content of online communications. In Bloom, which opens September 10 at Pace, two sculptures demonstrate the discriminatory history of facial recognition technologies. 1974) is an American artist examining the systems and technologies that shape our world. Technology is seductive. The project is a provocation, acting as a window into some of the racist, misogynistic, cruel, non-scientific, controversial, and simply absurd categorisations embedded within ImageNet and other training sets that AI models are built upon, Trevor Paglen Bloom (#a5808a), 2020 dye sublimation print 137.2 cm × 102.9 cm (54″ × 40-1/2″) © Trevor Paglen, courtesy the artist and Pace Gallery, Trevor Paglen Bloom Sep 10th –Nov 10th, 2020 Pace London pacegallery.com. Trevor Paglen’s recent body of work, called “Bloom,” is rooted in his investigations of technology and machine learning and functions symbolically as a meditation on life and death inspired by the artist’s pandemic experience. Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 - November 10, 2020 - Contemporary art with installation views Trevor Paglen: Bloom +44 20 3206 7600 Open: temporary closure coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (Sep 4, 2020 – Mar 14, 2021) and at OGR Turin (Oct 10, 2020 – Jan 10, 2021). Vivid renderings of blossoming flowers, which compose a centrepiece of the show alongside sculptures, drawings and digital components, may lead one to think otherwise, but that would be wrong. A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed to … New Gallery from Jacob Barnes of Soft Punk Magazine and Morgane Wagner of Square Gallery opening in February. A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. Computing systems that collect, interpret, and operationalize data that defines and tracks … Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. Trevor Paglen Bloom (#a8866d), 2020 Dye sublimation print 137.2 x 102.9 cm Pace Gallery Trevor Paglen A Prison Without Guards (Corpus: Eye-Machines) Adversarially Evolved Hallucination , 2017 Dye sublimation metal print Pace Gallery London An English Landscape (American Surveillance Base near Harrogate, Yorkshire) Trevor Paglen / An English Landscape (American Surveillance Base near Harrogate, Yorkshire) 19.06.14 - 30.06.15. – Trevor Paglen, June 2020. A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed to extract as … We managed to have a quick chat with Anil Sebastian ahead of their film’s premiere today Wednesday 28th October 2020 on NOWNESS. Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. 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