Marika Dermineur and Stéphane Degoutin, Google House, 2003-ongoing. Artwork | Dave Kemp, 2009. Referencing other works, such as Alfred Hitchcock’s Rear Window (1954), Michael Snow’s Souffle solaire (2005) and Chantal Akerman’s movie Là-bas (2006), this piece uses the angle of the surveillant gaze looking surreptitiously through a window frame to track and record movement and activities. Who would hold party elites accountable to the values they proclaim to have? Born in Toronto, Degoutin is an artist, writer, and researcher currently based in Paris where he teaches at École des Arts Décoratif (ENSAD). The work mounts domed mirrors on the side of the wall, using these structures to create braille patterns that imitate the Snellen chart used by optometrists to test visual acuity. In particular, the work explores the ways in which the personal self is constructed through the public performance of posting thoughts, events, and photos to a network of people. Online. Jennifer Marman and Daniel Borins, Google, 2010. 2008 and 2009 versions. Artwork | Steve Giasson, 2015-2016.Photographs and video| Exhibited in the "Micro Interventions in public space" section from the DARE-DARE Center of Dissemination of Multidisciplinary Art, Montreal. Antonia Hirsch, the invisible hand (after Adam Smith), 2009. Stand Types. Video installation. Performeuse: Alegria Gobeil. 2004 and 2015. Dave Kemp C-prints. The Met has never before presented an exhibition of art … Kemp’s piece questions the circulation over information related to identity, privacy, and security, and who has and is allowed to access and maintain control over such information.Website:http://davekemp.ca/ Cyber-Surveillance in Everyday Life: An Art Exhibition Graphically reproducing his collection into a sound wave, this text can be read as a portrait of its contemporaries while also being a self-portrait.” To be sure, this work is also a portrait of contemporary life, a historical moment that challenges social conceptions and expectations of private lives and public access. Participants rotate through each role to understand the diverse perspectives and experiences of surveillance. Based in Vancouver, Koh is a conceptual artist who describes her art practice as focussed on “the significance of everyday actions, familiar objects and common places.” She has exhibited her works nationally and internationally, and also has an active curatorial practice.Website:http://germainekoh.com/ © Melanie Lowe. © Steve Giasson. Image courtesy of the artists. © Steve Giasson. Artwork | Edwin Janzen, 2012.Performance/installation (photographs, looped videos, drawings, office furnishings, TV sets) | Exhibited at at the Station House Gallery in Williams Lake, BC (July-August 2012)Janzen’s Conspiracy Case features installation and performance elements. According to Janzen, his intention with this piece was “to implicate the local public, posting “Wanted” notices around the town and inviting informants to come forward (many did).” In creating a mock scenario or parody of the policing strategies used for surveillance, although most commonly of human animals, Janzen’s project highlights the structures and systems in place to map, track, monitor, and potentially criminalize the everyday activities of individuals. You Saw Me?, 2008. Access Denied Ricarda McDonald They are the opposite of the acronym-laden news stories we read: NSA, FISA, PGP, PRISM, ACLU, EFF, SIGINT, GCHQ, TOR, FOIA, HTTPS, are you still awake? Eva ClouardArtist In the group exhibition “Sorting Daemons: Art, Surveillance Regimes and Social Control,” Agnes Etherington Art Centre, Kingston, ON, 2009. © Kate McQuillen. In this way, Ritter questions the complex power structures inherent to the politics of seeing/seen and visibility/invisibility in public spheres.Website:http://kathleenritter.com/ Auto-surveillance EncounterArtwork | Eric Forman, 2004 and 2015. © Jennifer Marman and Daniel Borins. Pierre Tremblay David Spriggs, Installation view from PRISM (including The Logic of Control, Transparency Report, and The Visible Spectrum), 2015. Private PropertyArtwork | Thomas Kneubühler, 2006 Image courtesy of the artist. In multiple exhibitions and locations, including Art Gallery of Hamilton, Hamilton, ON (2002); “Interaction '05,” Toronto International Art Fair, Toronto, ON (2005); “Profiling,” Whitney Museum of American Art, New York, NY (2007); “Synthetic Time,” National Art Museum of China, Beijing, China. In the exhibition, “Cake on the Icing,” curated by Shaun Dacey, InterAccess Electronic Media Arts Centre, Toronto. Through the artist’s positioning of the sheets in a semi-circular manner they come together to create the form of, and refer to, the well known surveillance apparatus – the Panopticon.”Website:http://www.davidspriggs.com Painting. David Rokeby, Gathering, 2004. Home-Part-4 David Rokeby, Machine for Taking Time, 2001. Image courtesy of the artist. © David Rokeby. Others will be more difficult, 2008, oil on canvas. This work first premiered at Arsenal Montreal for Spriggs’s solo exhibition PRISM, which also included his works Transparency Report and The Logic of Control.Website:http://www.davidspriggs.com/ © Michael Lewis. Michael Lewis, Some Will Take More Prodding, Others Will Be More Difficult, 2008. Show all An exhibition devoted to video art might not have the popular appeal of, say, a Michelangelo blockbuster, but Nam June Paik, the so-called father of the medium, knew how to put on a show. Melanie Lowe, You Saw Me?, 2008. Interactive media. “takes the Facebook status update of participants from its original context and places it in a representative role of Facebook culture, language and syntax where one’s status serves as affirmation and disclosure. © David Spriggs. The exhibition explores a number of the workshop’s central themes, such as the intersections between surveillance and social networking, identity and anonymity, and monitoring techniques. David Bouchard, Bruno Lessard, and Pierre Tremblay, Meta Incognita – variations estivales, time-lapse video and soundtrack. David SpriggsArtist El Paso Museum of Art. Artwork | Germaine Koh with Ian Verchere, 2008 and 2009 versionsElectronics and custom software | Various exhibitions, including the group exhibition “Sorting Daemons: Art, Surveillance Regimes and Social Control,” Agnes Etherington Art Centre, Kingston, ON, 2009Created by Koh in collaboration with Ian Verchere, Broken Arrow uses sensing hardwares to track and trace blue-tooth technologies within a particular radius of the piece. You are here. As such, the piece also asks what is lost in the translation toward the surveillance form.Website:http://www.stevegiasson.com Kristen Atkins, Portrayal Portal, installation with laptop and data projection. // Spriggs, David. ART@Berlin: Exhibition Watched! This installation by Kemp was created as part of the group exhibition “Sorting Daemons: Art, Surveillance Regimes and Social Control” at the Agnes Etherington Art Centre in Kingston, ON. Image courtesy of the artists. He’s the curator of Surveillance Signal, the latest art exhibition at the Satellite Project Space that opens this Thursday. Kathleen Ritter, Interloper, 2005. The works in the exhibition deal with themes ranging from technologies used by government and regulatory agencies to everyday surveillance practices that have become integral parts of our lives, especially in social media. The Art Gallery of Hamilton, Hamilton, ON for the São Paulo Bienal. 29: To spy on someone or something from one’s windowArtwork | Steve Giasson, 2015-2016. The Museum provides FREE classroom lessons, resources, and activities that support traditional curriculum. Steve Giasson, Performance invisible No. Image courtesy of the artist. More video works by Ricarda McDonald are available at https://vimeo.com/ricardamcdonald. As well, Ritter explores the possibilities of transmitting personal experiences to an audience through highlighting the limitations of documentation. © Antonia Hirsch. Sorting Daemons: Art, Surveillance Regimes and Social Control 122 x 91.5 cm. © Edwin Janzen. The representations of the empty spaces of commerce mimic angles of surveillant viewing, highlighting the omnipresent technologies monitoring movement and access. Jason Kuhrt, Sousveillance Project, 2010-ongoing. Thomas Kneubühler, Accessed Denied, 2007-2014. Image courtesy of the artist. W 4.5m x H13.7m x D .5m. From the exhibition’s publicity release: “Cyber-Surveillance in Everyday Life is organized in conjunction with the international workshop of the same name, taking place at the University of Toronto from 12-15 May 2011. © Thomas Kneubühler. Guests are allowed to come in and view the artwork at their leisure. The work was featured in the Palais des congrès in Montreal for the Festival “Art Souterrain” in 2015, under the theme “Security in our Society: What Remains of our Personal Freedoms?” The work was exhibited again in Montreal at the 2-22 Building from 09 August to 09 October 2016. Miniature surveillance camera, video projector. ArtistDatabase work: McQuillen, Kate. Consider what the world of media would look like without The Intercept. Cheryl Sourkes, Cam Cities, Virtual Toronto, 2001, inkjet on unstretched exterior vinyl banner, steel bar. Photo documentation by Stephen DeSantis. Pressure Monoprint on Rives BFK, 30" x 22." Some Will Take More Prodding, Others Will Be More Difficult This piece is part of a larger collaborative project entitled Nunavut Lights that explores representations and visualizations of the photographic archive. Jason KuhrtArtist Artwork | Thomas Kneubühler, 2006C-Prints | Various LocationsAccess Denied is a site specific installation that was mounted on the external walls of buildings in Montréal as part of “Le Mois de la Photo à Montréal” in 2007; in downtown Edmonton in 2009; and in Québec City in 2014. In this way, Access Denied makes the bodies of those who watch—in larger than life-size forms—a visible presence to those who are watched to complicate this relationship of watcher-watched as part of surveillance structures, control, and regulation. Online. Ranging in subjects, lesson plans include primary documents and step-by-step instructions for implementing activities in your classroom. Margaret Keller’s message in her Surveillance exhibition at Gallery 210 will fit right in with your Black Mirror binge. Computer, LCD screen, camera and projection. Camcorders, cameras, tripods. Zérodeux, revue d'art contemporain trimestrielle et gratuite The latest wave of surveillance art has been evident for a number of years, especially since 9/11, which increased the powers and budgets of intelligence agencies in the United States and elsewhere. Interactive video installation involving computer, software, large monitors and a sensor. From the artist’s website: “Transparency is a seductive aesthetic concept that suggests democracy. Kimmirut, Baffin Island, Canada. Artwork | Edwin Janzen, 2015.Vinyl cut-outs, installation on staircases | Exhibited as part of Montreal’s 2015“Art Souterrain” Festival, which was themed “Security in our Society: What Remains of our Personal Freedoms?” Edwin Janzen’s installation New Masters features vinyl cuts-outs applied to staircases of pixelated alien faces of characters from the popular 1980s video game Space Invaders. © Kathleen Ritter. Various locations. So too, Giasson’s VOX questions what aspects of a surveilled moment gets lost within its capture; the flat form of the spoken-to-written word offers no context, tones, colour, or character that comes with lived experience. Inkjet prints on banner. © Steve Giasson. Eric FormanArtist Video installation. Daniel Borins Image courtesy of the artist. The installation features a television monitor that shows a map of the streets of Montreal with the artist’s whereabouts tracked in real time. In this piece, Janzen creates a parallel between these historical fears of nuclear war and contemporary fears of terrorism. Jennifer Marman and Daniel Borins, Google, 2010. Online. Surveillance Art & Photography examines the complexities of modern surveillance with a focus on photography and visual media. W 1047cm x H 511cm x D 11.5cm. Image courtesy of the artist. Timed performance. In multiple exhibitions. the invisible hand (after Adam Smith), 2009. Travel a few dozen blocks from the Open Society and you’ll reach the latest work by Trevor Paglen, who has collected more than 4,000 code names from the archive of NSA documents leaked by Snowden. This work draws attention to the role and bodies of the personnel tasked with supervising and controlling the behaviours of the public in particular ways. C-prints. ArtistDatabase works: Koh, Germaine with Ian Verchere. Her practice seeks to question the ways in which computer networks and programmes can create narratives using sound, language, and image. Sandra Phillips, the senior curator of photography at the San Francisco Museum of Modern Art, asserts in the … Video projection, stored digital images, custom software. Machine For Taking TimeArtwork | David Rokeby, 2001. 24 septembre 2015. Jason Kuhrt, Sousveillance Project, 2010-ongoing. var js, fjs = d.getElementsByTagName(s)[0]; ©Melanie Lowe. Image courtesy of artist. Donna Szoke and Ricarda McDonald, And all watched over by machines of loving grace, 2012. Vinyl cut-outs, installation on staircases. As such, she noted when her movements became intentionally performative, which, according to Ritter, enabled her to “temporarily occupy a public space or transgressing public behaviour—activities which were transitory and performed for a limited and often unwitting audience.” Interloper records the spaces of such actions, although the actions themselves are absence from the piece. Image courtesy of the artist. The image stream, provides a kind of seething chaos of activity that can be read both as a statistical plot of gallery activities (where do most people stand to regard the piece? GoogleArtwork | Jennifer Marman and Daniel Borins, 2010 Saint-Laurent) (2006-2007), commissioned by Daniel Langlois Foundation. X-Rays SeriesArtwork | Kate McQuillen, 2013. © Michael A. Robinson. In "Shutters," an exhibition opening in UB Art Gallery today and running through Nov. 23, artists like Niels Bonde from Copenhagen address the concept of contemporary surveillance in their art often by simultaneously placing the viewer in the role of watching while being watched. Image courtesy of the artist. Against this backdrop, The Talent Show examines a range of relationships between artists, audiences, and participants that model the competing desires for notoriety and privacy marking our present moment. W 4.5m x H13.7m x D .5m. Mont-reel. © Dave Kemp. Border Cultures: Part Three (security, surveillance) Digital installation, Geolocation app, smartphone. © Eva Clouard. SVBONY SV36 Pocket Monocular ED Glass Mini Monoculars Waterproof Monoscope for Hunting Camping Surveillance Art Exhibition (8x25mm) Visit the SVBONY Store. Over the course of a year, Ritter tracked her movements and behaviours in spaces designed for public use. Image courtesy of the artist. Exhibition | 2011 Cyber-Surveillance in Everyday Life: An Art Exhibition Mounted as a partnered project between InterAccess Electronic Media Arts Centre, and the international workshop The New Transparency: Surveillance & Social Sorting at the University of Toronto. Steve Giasson, Performance invisible No. Transparency ReportArtwork | David Spriggs, 2014. Invisible Performance No. From IP network cameras to HD-SDI security cameras!Japan’s largest-scale comprehensive exhibition of security products, offering state-of-the-art video surveillance systems. © Eric Forman. Camarillo, Calif., Feb. 27, 2014 – A daring, dynamic and, at times, disturbing interactive art exhibition will visit the campus of CSU Channel Islands (CI) in March, as renowned Los Angeles multimedia artist, surveillance sculptor and scenic artist Gary Lloyd debuts They: An Answer Driving the Problem, Revisited at CI’s Napa Hall Gallery. Image courtesy of the artist. Engravings on 9 sheets of tempered glass layered and spaced in transparent plexi-glass display units. Photographe: Alegria Gobeil. Hamilton, ON for the São Paulo Bienal. Marika Dermineur You can see some of the Conspiracy Case surveillance videos on Janzen’s vimeo site at https://vimeo.com/58598922.Website:http://www.edwinjanzen.com Jason Kuhrt, Sousveillance Project, 2010-ongoing. That’s all it takes to support the journalism you rely on. Image courtesy of the artist. Variable dimensions. As the visitor moves around the installation, the cameras activate, causing a flurry of flashes and sounds of camera shutters that overwhelm the small space. © Kate McQuillen. PRIVATE VIEW: Friday 31st January, 17:30 – 19:30. Image courtesy of the artists. Artists and artworks:
ArtistDatabase works: Koh, Germaine with Ian Verchere. The title, Visible Spectrum refers to the portion of electromagnetic waves that are capable of being detected by the human eye, and highlights the extensions of these capabilities through the use of surveillance technologies. Germaine Koh (function(d, s, id) { Digital installation, Geolocation app, smartphone. Gideon Mendel, from his 2014 series "Drowning World," part of the upcoming exhibition, "The World to Come: Art in the Age of the Anthropocene" at DePaul Art Museum. Toronto, ON.Based in Toronto, Daniel Borins completed his undergraduate work at McGill University in Montreal and his graduate work at OCAD University in Toronto, ON, where he met his collaborator Jennifer Marman. Miniature surveillance camera, video projector. In multiple exhibitions, including “Early Delights/Deep Gardening,” curated by Su Ditta, Oakville Galleries, Oakville, ON. Photograph by Rachel Topham, Vancouver Art Gallery. Artwork | David Spriggs, 2015.Digital video projection installation on a 4 minute loop | Arsenal Montreal for Spriggs’s solo exhibition PRISM (2015), which also included his works Transparency Report and The Logic of Control.This piece by artist David Spriggs explores the possibilities and limitations to human vision. Photographic installation | In the group exhibition “Sorting Daemons: Art, Surveillance Regimes and Social Control,” Agnes Etherington Art Centre, Kingston, ON. Michael A. Robinson, Subject to Scrutiny, 2013. Exhibition | Curated by Jan Allen and Sarak EK Smith, 2010Mounted as a partnered project between the Art Centre and The New Transparency: Surveillance and Social Sorting at Queen’s University. Camera, LCD screen, computer. A new show called Exposed: Voyeurism, Surveillance and the Camera opens at Tate Modern this week. Here are some other surveillance projects and artists we’ve noticed: Privacy Policy: The Anthology of Surveillance Poetics, PRISM: The Beacon Frame (Julian Oliver and Danja Vasiliev), America/Pardon Snowden (Larry Ayres and Miriam Dance), Privacy World–A Fun and Secure Experience, A Screaming Comes Across the Sky (LABoral), Observing Surveillance (Electronic Privacy Information Center), Peter Maass[email protected]theintercept.com@maassp. Art exhibitions are generally open to the public. NEW YORK, NY.- Abrons Arts Center presents "Christopher Gregory-Rivera: Las Carpetas" -- a new exhibition that examines the bureaucratic residue of a 40-year-long secret surveillance program by the Puerto Rican Police Department and the FBI that aimed to destroy the Puerto Rican Independence Movement. Interloper The artwork captures the signals and electronic communication found in wireless devices such as Bluetooth, Wi-Fi, cellular phones, radio, and GPS, each registered signal marked by an auditory signal and a visual design. There is also the turn-the-tables work of Simon Menner, a German who combed through the Stasi archives for pictures the East German spy agency took of its own agents (mainly in training situations, but also at parties). Based in Toronto, Koroshegyi teaches studio practices and art history at Sheridan College Institute of Technology and Advanced Learning, and the University of Toronto, Mississauga. Jason Kuhrt’s Sousveillance Project is an interactive installation that allows strangers from all over the world to upload comments, messages, and quick texts from their mobile devices onto a database. W 1047cm x H 511cm x D 11.5cm | Various locationsThe invisible hand is a sculptural installation that wall-mounts domed mirrors to spell out the phrase “the invisible hand” in braille. The artist invites one audience member (the viewer) to strap on a micro-camera to their forehead and stare into the eyes of each audience member (the viewed) for one minute intervals while TV monitors behind the viewer capture their viewpoint. Edwin Janzen, New Masters, 2015. Computer, LCD screen, camera and projection | Goethe Institut, Toronto, ON. © Germaine Koh and Ian Verchere. Photographe: Alegria Gobeil. Camcorders, cameras, tripods. 29: To spy on someone or something from one’s window addressing the performative gesture of seeing and being seen within the space of the city. Kate McQuillen, Boxcutter III from The X-rays Series, 2013. In the exhibition, “Cake on the Icing,” curated by Shaun Dacey, InterAccess Electronic Media Arts Centre, Toronto. In much of his art practice, Kneubühler investigates the way in which technologies of surveillance and social control blur the boundaries of private and public spaces in the landscapes of everyday life.Website:http://www.thomaskneubuhler.com/ Jennifer Marman John Watt, Scannex Man, 1981, DVD. Hirsch is a Berlin-based writer, artist, and editor, who has exhibited and published her work widely throughout North America and Europe.Website:http://antoniahirsch.com/ The final exhibition in a three-part series, Border Cultures: Part Three (security, surveillance) was a group exhibition that, according to its press release, “examines the impact of heightened militarization along national boundaries that has intensified deportations, detentions and mechanisms of surveillance of migrants and foreigners.” The previous two exhibitions in this series focussed on homes, land (2013), and work, labour (2014). From 07 July 2015 to 07 July 2016, Montreal-based artist Steve Giasson tasked himself with creating no less than 130 performances. Variable dimensions.Steve Giasson is a Montreal-based artist whose creative practice spans a range of mediums, including conceptual writing, art performance, photography, video, and installation. Michael Lewis, Some Will Take More Prodding, Others Will Be More Difficult, 2008. Camarillo, Calif., Feb. 27, 2014 – A daring, dynamic and, at times, disturbing interactive art exhibition will visit the campus of CSU Channel Islands (CI) in March, as renowned Los Angeles multimedia artist, surveillance sculptor and scenic artist Gary Lloyd debuts They: An Answer Driving the Problem, Revisited at CI’s Napa Hall Gallery. © Dave Kemp. Hidden cameras inside the sculpture watch, track, and record people as they pass by, adding a potentially sinister element to the humour offered by the googly-eye form. © David Spriggs. Surveillance Art Exhibition A LOOK INSIDE. ©2021 Susan Cahill | Web Design by Travis North | Web Development by. Donna Szoke and Ricarda McDonald, And all watched over by machines of loving grace, 2012. 3 au 10 mars 2016. New Masters 29: To spy on someone or something from one’s window. David Bouchard, Bruno Lessard, and Pierre Tremblay. The exhibition will be on view through June 19, 2017. 2014. Listed Projects Earning her MFA from York University in Toronto, she works primarily in print media, drawing, and installation-based projects. Variable dimensions © Melanie Lowe. Invisible Performance No. - C/O Berlin shows from 18.02.2017 an group exhibition. The other audience members are free to look where they please (the voyeurs); they can gaze at the screen capturing the interaction through the eyes of the viewer, directly at the two participants staring at one another, or amongst other audience members. Eric Forman During the same period, governments worldwide have asserted vast new powers of surveillance, placing unwitting “participants” on an entirely different kind of stage. The press release for “Art Souterrain” explains Forman’s piece as provoking the experience of the everyday surveillances in new and unfamiliar ways: “the nature of this spectacle, even when simultaneous, makes interaction seem hyper-real. Esther Lurie (Hebrew: אסתר לוריא ; 1913 – 14 February 1998) was an Israeli painter.. After studying at theatre set design and drawing in Belgium, and immigrating to Palestine in 1934, Lurie obtained work by painting and exhibiting her Image courtesy of the artist. By clicking on a wall, viewers are invited to have a closer, more intimate look at the image. Ian Verchere is a Vancouver-based writer and creative director who has produced best-selling video games for Electronic Arts, MTV, and his own company Roadhouse Interactive. The wave seems to have grown larger in the wake of the leaks from NSA whistleblower Edward Snowden, and this is fortunate. Layered engraved glass sheets in half column display case. Image courtesy of the artist. Photograph by Paul Litherland. Artwork | Kathleen Ritter, 2005.4-channel video installation with sound, 100 performance scripts, photographs, map, map pins, cork board | In her work Interloper, Ritter explores the relationship between collective behaviour, social surveillance, and public spaces. Surveillance Art & Photography. Image courtesy of the artists. Some Will Take More Prodding, Others Will Be More DifficultArtwork | Michael Lewis, 2008. He’s taken about 70,000 pictures of the buildings he’s visited, the beds he’s slept in, the food he’s eaten, the toilets he’s used, the roads he’s travelled on, and he’s also published receipts for the things he’s bought; he even tracks his location using GPS. The elements are recontextualized following one of an available three sets of rules that determines how the images are put back together. 2012. VOX © Antonia Hirsch. Performance/installation (photographs, looped videos, drawings, office furnishings, TV sets). Meta Incognita: Summer Variations This exhibition features a new project by Juárez-based collective Animales de Poder. Cover of exhibition catalogue, 2010. New media database projection. Digital installation, Geolocation app, smartphone. David Rokeby, Gathering, 2004. http://www.agw.ca/exhibitions/upcoming/404, you see more of his work at Nunavut Lights website, http://nunavutlights.com/, http://www.fondation-langlois.org/e-art/e/machine-for-taking-time.html, http://www.nogovoyages.com/terrorism_museum.html, While there does not seem to be a website organized by the artist himself, information about him and this project is available at https://www.behance.net/KUHRT. // Janzen, Edwin. Transparency Report. The project engages you far more deeply than a stack of original documents or news stories about them ever could. Image courtesy of the artist. David Spriggs, Transparency Report (Installation), 2014. The other side is a cooler catalog of the gallery visitors. Miniature surveillance camera, video projector. Interactive online installation. A Reckoning Over Homophobia in the Democratic Party. Joining is simple and doesn’t need to cost a lot: You can become a sustaining member for as little as $3 or $5 a month. Google House, 2003-ongoing. All of these images are archived, then stitched back together as a video that retains that same path, but uses images from different days. VUB Home. Sousveillance ProjectArtwork | Jason Kuhrt, 2010-ongoing. © Antonia Hirsch. Photograph by Guy L'Heureux. Eva Clouard, Mont-reel, 2015. More video works by Ricarda McDonald are available at https://vimeo.com/ricardamcdonald. Thomas Kneubühler, Private Property, 2006. Subject to ScrutinyArtwork | Michael A. 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Furnishings, TV sets ) following one of the gallery are uncovering invisible. Making our galleries a fantastic place to find a new show Called Exposed Voyeurism...
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